“ Chris Miller and Phil Lord wanted to find a new visual language with which to tell superhero stories.

“The biggest difference between is the amount of artistic interpretation that you do as the supervisor,” Dimian explained. An old hand in the trade of animated special effects, Dimian previously worked on such hits as Cloudy With a Chance of Meatballs and Hotel Transylvania in the Spider-Verse gig, he recognized an unprecedented opportunity to stretch his talents and try something different.

Vulture caught up with the film’s VFX supervisor, Danny Dimian, who described how he and his team created an entirely new breed of mainstream American animation, in which computerization and personalization harmonize to create an exhilarating work of pop art. But achieving a distinctive look with a basis in the old school required some technological advances from the new school - and a team of digital artists with the skill to shrink the space between the two until it vanished completely. The blockbusting animated feature instantly won over audiences (not to mention awards voters, who honored the film at the Golden Globes, the Critics’ Choice Awards, and elsewhere) with its vibrant and unorthodox visual style, widely hailed as a return to the origins of the vintage comic-book aesthetic. Spider-Man, Spider-Man, he does whatever a spider can - but with the web-slinger’s latest feature outing, Spider-Man: Into the Spider-Verse, an elite creative team set out to redefine just what a spider could do.

Spider man into the spider verse remux